Tanuki with typically enlarged scrotum, in a print by Tsukioka Yoshitoshi.

The other day I had a conversation with my friend about Tanuki – incredible characters in Japanese folklore.
Thought you’d be interested as well. Below is an excerpt from Wikipedia.

Tanuki (狸 or タヌキ) is the common Japanese name for the Japanese raccoon dog (Nyctereutes procyonoides viverrinus). They have been part of Japanese folklore since ancient times. The legendary tanuki is reputed to be mischievous and jolly, a master of disguise and shapeshifting, but somewhat gullible and absent-minded.

Statues of tanuki can be found outside many Japanese temples and restaurants, especially noodle shops. These statues often wear big, cone-shaped hats and carry bottles of sake in one hand, and a promissory note or empty purse in the other hand. Tanuki statues always have large bellies. The statues also usually show humorously large testicles, typically hanging down to the floor or ground, although this feature is sometimes omitted in contemporary sculpture.

Learn more about Tanuki on Wikipedia or watch Pom Poko by Miyazaki.

Innovation as a Learning Process from Roger Shealy on Vimeo.

Via @min_o

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See the series on The Big Picture

Oakland visual and media artist Jeff Goodby has covered the Oak Avenue house with a series of enigmatic words, set in a typeface designed in the 1760s by John Baskerville. The effect is a combination of Harry Potter and Andy Warhol and has challenged the meaning of home and book alike.

http://poemhouse.org

Interactive technology has brought the Mona Lisa to life – and Leonardo da Vinci’s enigmatic 16th Century portrait now speaks fluent Mandarin Chinese. A digital version of the work is the star attraction in a new exhibition of classic artworks recreated in multimedia form in Beijing.

Exhibition organiser Wang Hui spent two years preparing the collection. He says it is the first time 3D, holographic and voice recognition technologies have been fused like this. Visitors can also listen to Jesus Christ talking to his disciples and watch him move around the table of The Last Supper, while life-sized replica statues of Roman and Greek gods and goddesses strike provocative poses in a multimedia play.

Watch a video on BBC News

Creativity is commonly thought of as a personality trait that resides within the individual. We count on creative people to produce the songs, movies, and books we love; to invent the new gadgets that can change our lives; and to discover the new scientific theories and philosophies that can change the way we view the world. Over the past several years, however, social psychologists have discovered that creativity is not only a characteristic of the individual, but may also change depending on the situation and context. The question, of course, is what those situations are: what makes us more creative at times and less creative at others?

One answer is psychological distance.  According to the construal level theory (CLT) of psychological distance, anything that we do not experience as occurring now, here, and to ourselves falls into the “psychologically distant” category. It’s also possible to induce a state of “psychological distance” simply by changing the way we think about a particular problem, such as attempting to take another person’s perspective, or by thinking of the question as if it were unreal and unlikely. In this new paper, by Lile Jia and colleagues at Indiana University at Bloomington, scientists have demonstrated that increasing psychological distance so that a problem feels farther away can actually increase creativity.

Read the rest on Scientific American

I can’t draw, hate focus groups, love prototypes

Apple’s senior vice president of industrial design Jonathan Ive partially lifted the veil on the secretive machinations of the Apple design process at a special “Innovation Night” event held at London’s Royal College of Arts (RCA).

Ive is due to receive an honorary doctorate from the RCA tomorrow. Ive was interviewed on stage by outgoing RCA rector Professor Sir Christopher Frayling.

“I can’t imagine designing without making [physical products],” Ive told the assembled horde of 700 UK design gurus.

“I love making prototypes. We go right from idea to prototypes. I just love making objects.

“Prototypes create this dramatic shift in the conversation – suddenly it becomes tangible and the silence goes away.”

Ive explained why Apple limits its product range: “When you do everything to make the very best product, it also means your very focused on just a few products.”

Ive admitted that his drawing skills are “terrible”: “And I’m a lousy presenter. So I focus on designing instead,” he joked.

Read the rest on Macworld